ahadmaster: 2013.06.01.

2013. június 16., vasárnap

Hilary Jeffery & Zsolt Sőrés — Danube Blues Variations

Live at the exhibition "Through a glass darkly - Faces Yesterday & Today", Ernst Museum, Budapest, Hungary, 15th March, 2013.

Hilary Jeffery - trombone, electronics
Zsolt Sőrés Ahad - 5 string viola, electronics

Video edited by András Juhász.
Concert photos by Rita Fazakas here.

2013. június 4., kedd

ZSOLT SŐRÉS'S "AHAD'S MASTERS GARDEN" BROADCAST TONIGHT AT 10PM AT RADIO ORANGE 94.0, VIENNA

Tonight at 21 GMT / 22CET / 10 PM the great sound artist from Vienna, Michael Fischer will be broadcast chapters from my "Ahad's Masters Garden" series at Radio Orange 94.0
Here is the link: http://streamintern.o94.at/live3.m3u
*
Program:
II. Songs from the Lotus Island – A Prelude for a Collective Ayahuasca Healing /Hommage a Alejandro Jodorowsky/ (2007)
IV. Empire (2009)
V. Holy Ghosts in the Machine – In memoriam Ernő Király (2010)
VII. Ahad & Despera: AMMEn – O / Chapters from the Ahad’s Masters Garden Sessions (2007)

M0 – Itt kezdődik a művészet!

2013. június 5., szerda 19 óra

David Černý ǀ Létezés

A Műcsarnok új projektgalériájának nyitókiállítása

Szerdán David Černý kiállításával nyílik meg a Műcsarnok új projektgalériája, az M0. A különleges alkalomból a kortárs európai képzőművészet cseh fenegyereke is Budapestre érkezik, stílusosan saját sportrepülőgépén.

A megnyitón közreműködik: Christian Kobi (szopránszaxofon) és Sőrés Zsolt Ahad (öthúros mélyhegedű).

A Műcsarnok új projektgalériája a patinás épület egyik leghangsúlyosabb pontján, a főbejárathoz közel, a díszteremben található. Olyan karakteres műveket láthat majd itt a közönség, amelyek jelentős hatást gyakorolnak a nemzetközi kortárs művészet világára. A havi rendszerességgel bemutatott alkotások ingyenesen tekinthetők meg. A Műcsarnok új helyszínét a cseh szobrászművész David Černý kiállításával nyitjuk meg.

David Černý: Cápa, 2005 © David Černý

David Černý a nyilvános terekbe szánt figuratív szobrok mestere. Gyakran választ olyan, gyakran megbotránkoztató művészi megoldást, amely esztétikai és társadalmi normákat kérdőjelez meg – emiatt már több költséges projektjét nem sikerült megvalósítania. Ismertebb provokatív művei közé tartozik például a Hergetova Cihelna udvarán álló pisilős interaktív szökőkút, vagy a Futura Galéria kertjében álló két hatalmas torzó, amelyeknek a fenekébe bújva tekintheti meg a videókat a látogató. A szerdától az M0-ban látható két Černý munka bizonnyal szintén nem fogja hidegen hagyni a közönséget.

A szabad imprós zajzene magyar mestere – 2. rész

A szabad imprós zajzene magyar mestere – 2. rész – "A magyar kísérleti, zajzenei színtér egyik alapfigurájával, Sőrés Zsolttal beszélgettünk életútról, együttműködésről, vajdasági vonatkozásokról, kísérleti zenei színtérről, régebbi történésekről és friss tervekről, zajvirágokról és megvalósuló utópiákról, egyebek mellett." – Képes Ijúság, 2013. május 29.

Introduction to Principia Discordia

You hold in your hands one the Great Books of our century fnord.
Some Great Books are recognized at once with a fusillade of critical huzzahs and gonfolons, like Joyce'sUlysses. Others appear almost furtively and are only discovered 50 years later, like Moby Dick or Mendel's great essay on genetics. The Principia Discordia entered our space-time continuum almost as unobtrusively as a cat-burglar creeping over a windowsill.
In 1968, virtually nobody had heard of this wonderful book. In 1970, hundreds of people coast to coast were talking about it and asking the identity of the mysterious author, Malaclypse the Younger. Rumors swept across the continent, from New York to Los Angeles, from Seattle to St. Joe. Malaclypse was actually Alan Watts, one heard. No, said another legend -- the Principia was actually the work of the Sufi Order. A third, very intriguing myth held that Malaclypse was a pen-name for Richard M. Nixon, who had allegedly composed the Principia during a few moments of lucidity. I enjoyed each of these yarns and did my part to help spread them. I was also careful never to contradict the occasional rumors that I had actually written the whole thing myself during an acid trip.
The legendry, the mystery, the cult grew slowly. By the mid-1970's, thousands of people, some as far off as Hong Kong and Australia, were talking about the Principia, and since the original was out of print by then, xerox copies were beginning to circulate here and there.
When the Illuminatus trilogy appeared in 1975, my co-author, Bob Shea, and I both received hundreds of letters from people intrigued by the quotes from the Principiawith which we had decorated the heads of several chapters. Many, who had already heard of the Principia or seen copies, asked if Shea and I had written it, or if we had copies available. Others wrote to ask if it were real, or just something we had invented the way H.P. Lovecraft invented the Necronomicon. We answered according to our moods, sometimes telling the truth, sometimes spreading the most Godawful lies and myths we could devise fnord.
Why not? We felt that this book was a true Classic (literatus immortalis) and, since the alleged intelligentsia had not yet discovered it, the best way to keep its legend alive was to encourage the mythology and the controversy about it. Increasingly, people wrote to ask me if Timothy Leary had written it, and I almost always told them he had, except on Fridays when I am more whimsical, in which case I told them it had been transmitted by a canine intelligence -- vast, cool, and unsympathic -- from the Dog Star, Sirius.
Now, at last, the truth can be told.
Actually, the Principia is the work of a time-travelling anthropologist from the 23rd Century. He is currently passing among us as a computer specialist, bon vivant and philosopher named Gregory Hill. He has also translated several volumes of Etruscan erotic poetry, under another pen-name, and in the 18th Century was the mysterious Man in Black who gave Jefferson the design for the Great Seal of the United States.
I have it on good authority that he is one of the most accomplished time-travelers in the galaxy and has visited Earth many times in the past, using such cover-identities as Zeno of Elias, Emperor Norton, Count Cagliostro, Guilliame of Aquaitaine, etc. Whenever I question him about this, he grows very evasive and attempts to persuade me that he is actually just another 20th Century Earthman and that all my ideas about his extraterrestrial and extratemporal origin are delusions. Hah! I am not that easily deceived. After all, a time-travelling anthropologist would say just that, so that he could observe us without his presense causing cultureshock.
I understand that he has consented to write an Afterword to this edition. He'll probably contradict everything I've told you, but don't believe a word he says fnord. He is a master of the deadpan put-on, the plausible satire, the philosophical leg-pull and all the branches of guerilla ontology.
For full benefit to the Head, this book should be read in conjunction with The Illuminoids by Neal Wilgus (Sun Press, Albuquerque, NM) and Zen Without Zen Mastersby Camden Benares (And/Or Press, Berkeley, California). "We are operating on many levels here", as Ken Kesey used to say.
In conclusion, there is no conclusion. Things go on as they always have, getting weirder all the time.
Hail Eris. All hail Discordia. Fnord?

- Robert Anton Wilson,
International Arms and Hashish Inc.
Darra Bazar, Kohat

http://www.principiadiscordia.com/

ahadmaster

2013. június 16., vasárnap

Hilary Jeffery & Zsolt Sőrés — Danube Blues Variations

2013. június 4., kedd

ZSOLT SŐRÉS'S "AHAD'S MASTERS GARDEN" BROADCAST TONIGHT AT 10PM AT RADIO ORANGE 94.0, VIENNA

M0 – Itt kezdődik a művészet!

A szabad imprós zajzene magyar mestere – 2. rész

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